"Stay" ist eine egozentrische, grandiose Frechheit des Regisseurs Marc Forster. Es ist ein Film über Tod und Leben, über Wirklichkeit und. Stay. ()IMDb h 38minX-RayR. In the space between desire and fear, between reality and illusion, between life and death lies an alternate world that. Stay ist ein US-amerikanischer Film des deutsch-schweizerischen Regisseurs Marc Forster aus dem Jahr Die Hauptrollen spielten Ewan McGregor, Ryan.
Stay Movie Inhaltsverzeichnis
Der New Yorker Psychiater Sam Foster übernimmt von einer erkrankten Kollegin den Fall des Kunststudenten Henry Letham. Dieser leidet nach einem Unfall an Amnesie, macht dafür jedoch wirre Vorhersagen, die sich aus mysteriösen Gründen bewahrheiten. Stay ist ein US-amerikanischer Film des deutsch-schweizerischen Regisseurs Marc Forster aus dem Jahr Die Hauptrollen spielten Ewan McGregor, Ryan. Ein Effektfilm ist "Stay" nicht, aber dennoch werden die hinteren Kanäle nicht außer Acht gelassen. So ergeben sich auch einige Szenen, die geradezu einladen. Stay. ()IMDb h 38minX-RayR. In the space between desire and fear, between reality and illusion, between life and death lies an alternate world that. Ann Baker, Lisa Kron, Roberto Schaefer, Marc Forster, Arnon Milchan, Bill Carraro, Eric Kopeloff, Guymon Casady, Tom Lassally, David Benioff: Movies & TV. Ryan Gosling spielt in dem Thriller Stay einen psychisch-instabilen Patienten, der gegenüber dem Psychiater Ewan McGregor seinen Selbstmord ankündigt. Entdecke die Filmstarts Kritik zu "Stay" von Marc Forster: 2 plus 2 ist 5! Sein guter Rat an die Zuschauer: „I think it is better to look at this movie almost like a.
Bilder, Inhalt, Synopsis, Beschrieb, Trailer zum Film Stay. Stay. Ein Film von Marc Forster. /db_data/movies/stay/scen/l/Stay_radioceanica.eu Stay ein Film von Marc Forster mit Ewan McGregor, Naomi Watts. Inhaltsangabe: Dass er plötzlich nicht mehr mit Dr. Beth Levy (Janeane Garofalo), sondern mit. Der New Yorker Psychiater Sam Foster übernimmt von einer erkrankten Kollegin den Fall des Kunststudenten Henry Letham. Dieser leidet nach einem Unfall an Amnesie, macht dafür jedoch wirre Vorhersagen, die sich aus mysteriösen Gründen bewahrheiten. Eine Mischung aus beidem? Der Eindruck der Orientierungslosigkeit der Charaktere wird durch digitale Veränderungen des Kamerabildes verstärkt. Naomi Watts. Auf allen Paul Panzer Stream Hier geht es zur Übersicht der stern-Kanäle. Der optisch brillante Psycho-Thriller ist ein einzigartiges Erlebnis von berauschenden Bildern und einer Im Banne Der Rouladenkönigin, die es zu entschlüsseln gilt. Visa-Nummer. Amarawishs Bushwick.2019 für Mitglieder von Amarawish. So sind zum Beispiele Elemente wie Fotos oder Bilder zu sehen, die sich in der nächsten Szene sehr elegant übergangslos ins Zentrum der Handlung pirschen. Bilder anzeigen.
Stay Movie Saluran yang dipilih VideoIf I Stay ENGLISH Full Movie
Robert B Super Reviewer. Oct 06, Directors C Super Reviewer. Jul 23, This movie is a trip: intense camera work, crazy angles, insane scene transitions, gorgeous lighting, breaking rules, breaking pretty much every rule in the play book just to toy with the viewer's brain and it works.
Naturally, the acting is good all around and great from Gosling, the music is tremendous, the effects are impressive buuuuuut the story, while comprehensible, doesn't want to develop characters; however, that is likely part of its plan for the lead up to the finale.
I still felt something was missing but overall a great achievement technically. A bit like 'Jacob's Ladder' yet 'Stay' is its own monster of a mind-fuck.
Jonny B Super Reviewer. May 13, Me, I don't live like that; I see movies that I want to see, or just about any movie in general. The film is described, by many, as a pretentious mess of a movie that tells a pretentious mess of a story; one dealing with death, insanity, and perception.
Alas, after finishing the film, I'm glad I saw it. It is indeed ambitious, exploring themes that are perhaps too big for a movie this small.
It's a tough sell, and readers, do not blame me if you see it and you do not enjoy it. It's a brain-teaser; a flawed one, but in conclusion, a pretty darn good one as well.
The patient is suicidal and depressed; and he also looks like he hasn't showed in ages. His hair is greasy, he's a smoker, and he's as pale as a corpse.
Shortly after meeting him, Sam begins to wonder if a line can be drawn between reality and imagination; the dead and the living.
He's talking to people who are dead, he's experiencing events that shouldn't be happening, and the viewpoint given which is Sam's makes the film feel like an acid trip.
And in this case, it's a bad one, but who says imagery can't be haunting? Let's just say that the entire film leads to one big moment of extreme payoff; one that might piss you off, or might intrigue you, making you want more from this filmmaker and his writing partner.
David Benioff, the writer of this film, seems rather intelligent when it comes to this material, even if he doesn't completely perfect his technique.
In the end, the reason "Stay" is a good movie, rather than a great one, is a lack of consistency. Sometimes, the film has little moments of boredom, pretention, and nonsense.
But then, there are even more moments of art, whimsy, beauty, and intelligence. Those things make up for whatever flaws "Stay" has.
I enjoy films that deal with such themes as death and the afterlife. They can be very interesting.
The "ghosts" in this film are not so much spiritual anyway; rather an add-on to the torture of the character Sam. Yet, these ghosts have personalities and histories; as do the characters of the film.
The actors portraying these characters are good in the film, although this is far from McGregor or Gosling's best work.
And then there's Naomi Watts, who is pretty decent, but the sad thing is that her character just kind of takes up space and adds to the plot, bit-by-bit, but all too slowly.
But if you're forgiving, then you won't mind I guess when it comes to the question of "will you like "Stay" or not? If you are not involved in "Stay", then you will not like it.
You will most likely find it to be pretentious and forgettable. I think you know what I think about the film, and I actually was able to enjoy it.
Psychological films that take you on an interesting, involving acid trip will never get old; and "Stay" is the rare film to embrace its flaws and absorb beauty, and flawed, but rewarding whimsy.
So yes, "Stay" is a recommendation. Ryan M Super Reviewer. See all Audience reviews. Lila Culpepper: There's too much beauty to quit.
Sam Foster: Bad art is more tragically beautiful than good art because it documents human failure Sam Foster: Bad art is more tragically beautiful than good art because it documents human failure.
Sam Foster: If this is a dream, the whole world is inside it. Henry Letham: An elegant suicide is the ultimate work of art.
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Feel Good. Schitt's Creek. What We Do in the Shadows. One Day at a Time. Never Have I Ever. BoJack Horseman. Teenage Bounty Hunters.
The Queen's Gambit. Blood of Zeus. The Mandalorian. The Undoing. The Good Lord Bird. Flesh and Blood. No Score Yet. There is the matter of repeating almost unnoticed elements: Three out-of-focus spheres in the foreground, not lit so you'd much notice them, turn up in the next shot, also out of focus, also not much noticed.
And there are costume details: Choices of shoes and socks, the length and style of pants. The strategy is not underlined.
The movie is facile and quick in its editing, and I'm sure another viewing would reveal transitions I missed. Accustomed to fancy footwork in modern movies, we may think Forster, his cinematographer Roberto Schaefer and his editor Matt Chesse are simply showing off: There are lots of visual flourishes without meaning in movies, and you can see dozens, maybe hundreds, in Tony Scott's new " Domino.
But in "Stay," the visuals are crucial to the movie's point of view and ultimately to its meaning. Audiences are not always alert to styles, or they may notice them passively, not asking what function they serve.
It is possible to watch an Ozu film and not register that he never moves his camera. During a Fred Astaire dance number, you may not notice that he is always shown full frame and in long takes.
What Forster is doing in "Stay," I think, is suggesting we are watching the movie on two levels, although the deeper level can be glimpsed only at a tangent, passingly.
There is so much happening on the surface and in the story, that we may get entirely involved up there, and Forster, in a departure from his films " Monster's Ball " and " Finding Neverland ," would be pleased if we did.
The other level is beavering away in the shadows. Occasionally he'll spring a visual surprise that has a logical explanation; his hero walks through a door, for example, and seems to be undersea, and then we realize he has simply walked into a room where one wall is a very large aquarium.
But who is in this movie and what is it about? No spoilers follow. The film stars Ryan Gosling as Henry, an art student at university, who is in crisis.
Asked to put out his cigarette on the subway, he stubs it out on his arm. He is seeing a university psychiatrist, but when he turns up for his appointment, a strange man is in her office.
This is Sam Ewan McGregor , who explains that he is filling in for a few weeks. Henry is angered by the substitution, walks out, returns on another day and announces that at midnight Saturday he will kill himself.
We see more of Sam's life than Henry's. He plays chess with a blind man Bob Hoskins. He consults a colleague B. He visits Henry's usual psychiatrist Janeane Garofalo , who is sitting at home with the lights out, depressed.
He moves within the geometric architecture of the university campus, which seems to repeat itself, and there is repeating, too, in a curious scene where the corridors and stairways are suddenly populated by twins and triplets.
Sam lives with Lila Naomi Watts , an artist who was his patient. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide.
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Crazy Credits. Alternate Versions. Rate This. A psychiatrist attempts to prevent one of his patients from committing suicide while trying to maintain his own grip on reality.
Director: Marc Forster. Writer: David Benioff. Added to Watchlist. From metacritic. Stars of the s, Then and Now.
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